Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 96
... sense of the relation , both continuous and broken , between the concealed dimensions of human experience and the limited sphere of conscious control : ' planetary music ' . That harmony of vast cosmic spaces is often heard in the music ...
... sense of the relation , both continuous and broken , between the concealed dimensions of human experience and the limited sphere of conscious control : ' planetary music ' . That harmony of vast cosmic spaces is often heard in the music ...
Side 201
... sense of freedom , arising from a triumph over , or an absolution from , the troublesome cleavages and disjunctions of things . . . . The deliquescence of the sense the often so fatiguing sense of separate personality . . . which comes ...
... sense of freedom , arising from a triumph over , or an absolution from , the troublesome cleavages and disjunctions of things . . . . The deliquescence of the sense the often so fatiguing sense of separate personality . . . which comes ...
Side 224
... sense ; and one or the other may predominate in a particular cultural mythology . A Shelleyan freedom to hold their powers in equilibrium is a higher development , perhaps we might say , rather than a radical quality of the mind . 24 ...
... sense ; and one or the other may predominate in a particular cultural mythology . A Shelleyan freedom to hold their powers in equilibrium is a higher development , perhaps we might say , rather than a radical quality of the mind . 24 ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing