Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 12
... seems somehow to point to ' causes ' outside of experience , it soon seems clear that we could not actually know anything about them . Shelley concluded that the materialist dogma about the ultimate material nature of the causes of ...
... seems somehow to point to ' causes ' outside of experience , it soon seems clear that we could not actually know anything about them . Shelley concluded that the materialist dogma about the ultimate material nature of the causes of ...
Side 98
... seems to amount even to a temporary ' statement of faith ' ; in a poem written next day , or the next week , one often finds Shelley thinking in the contrary way with equal poetic force and imaginative conviction . Rarely , in fact , do ...
... seems to amount even to a temporary ' statement of faith ' ; in a poem written next day , or the next week , one often finds Shelley thinking in the contrary way with equal poetic force and imaginative conviction . Rarely , in fact , do ...
Side 180
... seems possible to distinguish opposites : the Moon - child seems here to have fallen victim to and merged with the Ahrimanic daemon . The Promethean man who carries the crushing psychic burdens of estrangement and ' divine ' self ...
... seems possible to distinguish opposites : the Moon - child seems here to have fallen victim to and merged with the Ahrimanic daemon . The Promethean man who carries the crushing psychic burdens of estrangement and ' divine ' self ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing