Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 20
... response are explored in imaginative depth in Shelley's major poems . In order to preserve poetic self - consciousness , then , Shelley's imagination consistently refuses commitment to either ultimate vision . Shelley lacks the ...
... response are explored in imaginative depth in Shelley's major poems . In order to preserve poetic self - consciousness , then , Shelley's imagination consistently refuses commitment to either ultimate vision . Shelley lacks the ...
Side 27
... response in urgent , declamatory verse . And yet we feel the presence of contradictions not far beneath the surface . Rather as in the case of ' Lift not the painted veil ' , for instance , we find it a little disconcerting that ...
... response in urgent , declamatory verse . And yet we feel the presence of contradictions not far beneath the surface . Rather as in the case of ' Lift not the painted veil ' , for instance , we find it a little disconcerting that ...
Side 109
... response to the world . Ahriman is an imagination that will be mythically relevant to our inner response when we view the world under the terms of an intransigent Necessity ; for the world is such an unsatisfactory place that , if we ...
... response to the world . Ahriman is an imagination that will be mythically relevant to our inner response when we view the world under the terms of an intransigent Necessity ; for the world is such an unsatisfactory place that , if we ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing