Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 115
... possible that everything we do is shadowed by half - defined fears and anxieties , so that our existence is only made bearable through the defences we erect . ' The On the Devil and Devils 115 Landscapes of Fear: Mont Blanc.
... possible that everything we do is shadowed by half - defined fears and anxieties , so that our existence is only made bearable through the defences we erect . ' The On the Devil and Devils 115 Landscapes of Fear: Mont Blanc.
Side 157
... possible to enter with an imaginatively strengthened and balanced consciousness into love's world of secret sympathies and thinking of the heart . Or rather , one might say that love of its own nature strives from its unconscious ...
... possible to enter with an imaginatively strengthened and balanced consciousness into love's world of secret sympathies and thinking of the heart . Or rather , one might say that love of its own nature strives from its unconscious ...
Side 160
... possible if we are prepared to leave behind what is old and faded from its first imaginative splendour . To stand still is to atrophy ; destruction is a necessary moment in the creative flux of transformation . Shelley's occult energy ...
... possible if we are prepared to leave behind what is old and faded from its first imaginative splendour . To stand still is to atrophy ; destruction is a necessary moment in the creative flux of transformation . Shelley's occult energy ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing