Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 17
... philosophical speculations . Our background sense of the modes of experience which underpin opposing philosophies will thus help make it clearer how , in Shelley's mature poetry , certain patterns of ideas become conditions of awareness ...
... philosophical speculations . Our background sense of the modes of experience which underpin opposing philosophies will thus help make it clearer how , in Shelley's mature poetry , certain patterns of ideas become conditions of awareness ...
Side 22
... philosophies may not be unrelated and mutually destructive , but on some level actually complementary . In poetry they ... philosophical ideas as a tool in his poetic investigations . To pursue either philosophy to its metaphysical ...
... philosophies may not be unrelated and mutually destructive , but on some level actually complementary . In poetry they ... philosophical ideas as a tool in his poetic investigations . To pursue either philosophy to its metaphysical ...
Side 91
... philosophical , Platonic ' proof ' of the soul's imperishable nature , but in something resembling Goethe's intuition ( which he confided to Eckermann ) of the primacy of activity . ' To me , ' Goethe commented , ' the eternal existence ...
... philosophical , Platonic ' proof ' of the soul's imperishable nature , but in something resembling Goethe's intuition ( which he confided to Eckermann ) of the primacy of activity . ' To me , ' Goethe commented , ' the eternal existence ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing