Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 83
... perhaps among the finest instances of Shelley's poetic use of science to suggest a universe very different from the orthodox scientific world - view , a restored universe of human values and hidden analogies , occult interconnections ...
... perhaps among the finest instances of Shelley's poetic use of science to suggest a universe very different from the orthodox scientific world - view , a restored universe of human values and hidden analogies , occult interconnections ...
Side 116
... ( perhaps ) by a sense of transgression against nature . Under such circumstances , the imagination is quick to populate space with lurking evil spirits.4 40 The urge to consolidate the humanised landscape from village into city ...
... ( perhaps ) by a sense of transgression against nature . Under such circumstances , the imagination is quick to populate space with lurking evil spirits.4 40 The urge to consolidate the humanised landscape from village into city ...
Side 129
... perhaps we can understand why to those outside Judaism that world - view seemed potentially terrifying . Even Greek philosophy for the most part regarded the cosmos as divine , a great animal pervaded by a spirit or God . Those who take ...
... perhaps we can understand why to those outside Judaism that world - view seemed potentially terrifying . Even Greek philosophy for the most part regarded the cosmos as divine , a great animal pervaded by a spirit or God . Those who take ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing