Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 117
... object , that object tends with time to break loose from its source and take on an autonomous existence . When this happens the universe of created objects is conceived as something separate from the mind of the perceiver . Shelley ...
... object , that object tends with time to break loose from its source and take on an autonomous existence . When this happens the universe of created objects is conceived as something separate from the mind of the perceiver . Shelley ...
Side 146
... objects or outer forms . Nothing can really be said to ' possess ' Beauty in that way . It lies more in a ' way of seeing ' , in a relationship between the object and the beholding consciousness . But that does not mean it falls under ...
... objects or outer forms . Nothing can really be said to ' possess ' Beauty in that way . It lies more in a ' way of seeing ' , in a relationship between the object and the beholding consciousness . But that does not mean it falls under ...
Side 200
... objects , do convey into the mind several distinct perceptions of things , according to those various ways wherein those objects do affect them ; and thus we come by those ideas we have , of yellow , white , heat , cold , soft , hard ...
... objects , do convey into the mind several distinct perceptions of things , according to those various ways wherein those objects do affect them ; and thus we come by those ideas we have , of yellow , white , heat , cold , soft , hard ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing