Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 160
Andrew J. Welburn. To move from the Hymn to Intellectual Beauty of 1816 to the Ode to the West Wind of three years ... moving everywhere through phenomenal reality like the wind through autumn leaves , is both destroyer and preserver ...
Andrew J. Welburn. To move from the Hymn to Intellectual Beauty of 1816 to the Ode to the West Wind of three years ... moving everywhere through phenomenal reality like the wind through autumn leaves , is both destroyer and preserver ...
Side 171
... move and grow as with an inward wind ; Within it sits a winged infant , white Its countenance , like the whiteness of bright snow , Its plumes are as feathers of sunny frost , Its limbs gleam white , through the wind - flowing folds Of ...
... move and grow as with an inward wind ; Within it sits a winged infant , white Its countenance , like the whiteness of bright snow , Its plumes are as feathers of sunny frost , Its limbs gleam white , through the wind - flowing folds Of ...
Side 172
Andrew J. Welburn. shape - shifting clouds move magically , impelled from within by pneumatic power ; the dark eyes ... moves upon mysterious wheels : And when the Living Creatures went , the wheels went beside them . . . . Whithersoever ...
Andrew J. Welburn. shape - shifting clouds move magically , impelled from within by pneumatic power ; the dark eyes ... moves upon mysterious wheels : And when the Living Creatures went , the wheels went beside them . . . . Whithersoever ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing