Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 37
... man's primary human emotions , long belittled by rationalism and rendered shameful by orthodox religion . The ' luxury of grief ' and ' the sadly pleasing tear ' may sound affected now : but somewhere beyond the cult - phrases we hear ...
... man's primary human emotions , long belittled by rationalism and rendered shameful by orthodox religion . The ' luxury of grief ' and ' the sadly pleasing tear ' may sound affected now : but somewhere beyond the cult - phrases we hear ...
Side 133
... man's sphere ; soon after the Bible creation- history , we recall , comes the cautionary tale of man's ill - fated exertions at the Tower of Babel . The modern universe offers a hugely expanded scope for man's creativity . Shelley in ...
... man's sphere ; soon after the Bible creation- history , we recall , comes the cautionary tale of man's ill - fated exertions at the Tower of Babel . The modern universe offers a hugely expanded scope for man's creativity . Shelley in ...
Side 152
... man's life , describing it as ' an instinct of his nature and an indispensable condition of his moral and intellectual progression ' . For Wordsworth too , points out Timothy Webb , hope had been ' the paramount duty that Heaven lays ...
... man's life , describing it as ' an instinct of his nature and an indispensable condition of his moral and intellectual progression ' . For Wordsworth too , points out Timothy Webb , hope had been ' the paramount duty that Heaven lays ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing