Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 52
... knowledge , bequeathes us precisely the kind of world - view we fear most . If we accept it , we find ourselves not just in a large society which we do not totally comprehend , but in a universe which carries us along in a series of ...
... knowledge , bequeathes us precisely the kind of world - view we fear most . If we accept it , we find ourselves not just in a large society which we do not totally comprehend , but in a universe which carries us along in a series of ...
Side 90
... knowledge of the world of things around us and for the existence of individual consciousness . For : ' These diversities are events and objects , and are essential , considered relatively to human identity , for the existence of the ...
... knowledge of the world of things around us and for the existence of individual consciousness . For : ' These diversities are events and objects , and are essential , considered relatively to human identity , for the existence of the ...
Side 102
... knowledge which ultimately had the greater effect on Shelley's poetry . Newton's conviction had it that the core of the ancient Mysteries ( secret rites celebrated in antiquity at Eleusis and elsewhere ) was astrological . The Zodiac ...
... knowledge which ultimately had the greater effect on Shelley's poetry . Newton's conviction had it that the core of the ancient Mysteries ( secret rites celebrated in antiquity at Eleusis and elsewhere ) was astrological . The Zodiac ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing