Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 146
... intellectual foundation of Humanity ' . Shelley's ' Intellectual Beauty ' is the highest kind of beauty , above the ' unreal shapes ' of sense - perception , a spiritual noumenon ; yet there is nothing to suggest that it lies in ...
... intellectual foundation of Humanity ' . Shelley's ' Intellectual Beauty ' is the highest kind of beauty , above the ' unreal shapes ' of sense - perception , a spiritual noumenon ; yet there is nothing to suggest that it lies in ...
Side 152
... intellectual progression ' . For Wordsworth too , points out Timothy Webb , hope had been ' the paramount duty that Heaven lays , / For its own honour , on man's suffering heart ' . 19 But in Shelley's letter the duty we owe to Heaven ...
... intellectual progression ' . For Wordsworth too , points out Timothy Webb , hope had been ' the paramount duty that Heaven lays , / For its own honour , on man's suffering heart ' . 19 But in Shelley's letter the duty we owe to Heaven ...
Side 223
... Intellectual Beauty ' is partly Platonic , partly based upon Shelley's philosophical prose . He describes the Hymn as one of the poet's ' speculations ' . ' Intellectual ' turns out to mean pertaining to ' a divinity of mind only ' , to ...
... Intellectual Beauty ' is partly Platonic , partly based upon Shelley's philosophical prose . He describes the Hymn as one of the poet's ' speculations ' . ' Intellectual ' turns out to mean pertaining to ' a divinity of mind only ' , to ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing