Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 96
... individual mind can claim to control . In this situation , Shelley's dynamic view of self - consciousness and his profound acknowledgment of the uncontrollable energies of imagination , while at the same time finding room for the ...
... individual mind can claim to control . In this situation , Shelley's dynamic view of self - consciousness and his profound acknowledgment of the uncontrollable energies of imagination , while at the same time finding room for the ...
Side 138
... individual consciousness - at least in comparison with the older oriental religions : but at the same time , as we have seen , the burden of fear is shifted onto a collective , paternal Deity , so that in another way limitations are ...
... individual consciousness - at least in comparison with the older oriental religions : but at the same time , as we have seen , the burden of fear is shifted onto a collective , paternal Deity , so that in another way limitations are ...
Side 194
... individual consciousness potentially a revelation of the divine : ' God became as we are that we might be as he is . . . . The Word was made man in order that we might be made divine.'12 Already here we have a deep humanism , an ...
... individual consciousness potentially a revelation of the divine : ' God became as we are that we might be as he is . . . . The Word was made man in order that we might be made divine.'12 Already here we have a deep humanism , an ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing