Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 23
... importance is that he is simultaneously a poet of self - consciousness and a visionary Romantic determined to probe ... important , therefore , to extend the two - fold critical schema of Wasserman and Cronin into a genuinely triadic ...
... importance is that he is simultaneously a poet of self - consciousness and a visionary Romantic determined to probe ... important , therefore , to extend the two - fold critical schema of Wasserman and Cronin into a genuinely triadic ...
Side 95
... important constituent in the mixture which was to create the psychic theatre of Prometheus Unbound . From the ... importance in Shelley's concept of the imagination's world . And we can perhaps also begin to understand how it was that ...
... important constituent in the mixture which was to create the psychic theatre of Prometheus Unbound . From the ... importance in Shelley's concept of the imagination's world . And we can perhaps also begin to understand how it was that ...
Side 218
... important note to The Friend , ed . Barbara E. Rooke ( London and Princeton , 1969 ) vol . I ( 1818 version ) p . 516 ( not in original 1809–10 version ) , Coleridge discussed , along with flower - apparitions and related topics , the ...
... important note to The Friend , ed . Barbara E. Rooke ( London and Princeton , 1969 ) vol . I ( 1818 version ) p . 516 ( not in original 1809–10 version ) , Coleridge discussed , along with flower - apparitions and related topics , the ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing