Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 62
... ideal social life . More strikingly still , there are differences when an inhabitant of the ' Happy Valley ' returns to the outside world . A small group of speculatively minded Christians are described escaping from the fall of ...
... ideal social life . More strikingly still , there are differences when an inhabitant of the ' Happy Valley ' returns to the outside world . A small group of speculatively minded Christians are described escaping from the fall of ...
Side 153
... ideal ; the narrator denies his own inner aspirations . Giving himself to the pursuit of a delusory self - projection , the young hero like the Wordsworthian narrator experiences the backlash of the alienated outer world . But just as ...
... ideal ; the narrator denies his own inner aspirations . Giving himself to the pursuit of a delusory self - projection , the young hero like the Wordsworthian narrator experiences the backlash of the alienated outer world . But just as ...
Side 189
... ideal AHRIMAN in the guise of Lucifer : opportunist Messiah , pseudo - Christ FIGURE 7 ' Queen Mab ' adequate imaginations we have of such an ideal . ) Any ultimate world - view must also finally give some idea of the reality itself ...
... ideal AHRIMAN in the guise of Lucifer : opportunist Messiah , pseudo - Christ FIGURE 7 ' Queen Mab ' adequate imaginations we have of such an ideal . ) Any ultimate world - view must also finally give some idea of the reality itself ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing