Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 6
... final effect , however , is triumphantly and uniquely Shelleyan . It is a recurring phenomenon in Shelley that the actual proclaims its own abolition ; a substantial form dissolves away upon close reading to unleash a hidden sense of ...
... final effect , however , is triumphantly and uniquely Shelleyan . It is a recurring phenomenon in Shelley that the actual proclaims its own abolition ; a substantial form dissolves away upon close reading to unleash a hidden sense of ...
Side 7
... final cadence of negation and the assertive tone perplexes us . The resonance , and the rhetorical piling of phrases before the final release , persuades us of a committed voice . We sense that something is being urged upon us , but we ...
... final cadence of negation and the assertive tone perplexes us . The resonance , and the rhetorical piling of phrases before the final release , persuades us of a committed voice . We sense that something is being urged upon us , but we ...
Side 183
... final part of the extant poem Shelley puts his daemonology and eidolon - theory to horrific use : the cold light of the Chariot purges away the youth and beauty of its victims , producing eidola ' numerous as the dead leaves blown / In ...
... final part of the extant poem Shelley puts his daemonology and eidolon - theory to horrific use : the cold light of the Chariot purges away the youth and beauty of its victims , producing eidola ' numerous as the dead leaves blown / In ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing