Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
Fra bogen
Resultater 1-3 af 26
Side 15
... critics have appealed to the shadowy notion of a ' natural Platonism ' to help explain Shelley's development , but it is difficult to evaluate so complex and question - begging a concept as the starting - point for literary criticism.2 ...
... critics have appealed to the shadowy notion of a ' natural Platonism ' to help explain Shelley's development , but it is difficult to evaluate so complex and question - begging a concept as the starting - point for literary criticism.2 ...
Side 17
... critics have presented his development that Shelley progressively abandoned his scepticism for an increasingly Platonic view of reality . What does appear to be the case is that in maturing as a poet he jettisoned that dogmatic ...
... critics have presented his development that Shelley progressively abandoned his scepticism for an increasingly Platonic view of reality . What does appear to be the case is that in maturing as a poet he jettisoned that dogmatic ...
Side 26
... critics might have been more successful in detecting the characteristic patterns of Shelleyan imagination , if they had not concentrated so exclusively on the vexed issue of his philosophical allegiances , sceptical or Platonic . For ...
... critics might have been more successful in detecting the characteristic patterns of Shelleyan imagination , if they had not concentrated so exclusively on the vexed issue of his philosophical allegiances , sceptical or Platonic . For ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
8 andre sektioner vises ikke
Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing