Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 39
... characters living largely in extravagant private worlds . Yet he also showed them liable to be rudely interrupted ... character and situation ; Sterne humorously demonstrated that this was an unattainable ideal.21 All this was beyond the ...
... characters living largely in extravagant private worlds . Yet he also showed them liable to be rudely interrupted ... character and situation ; Sterne humorously demonstrated that this was an unattainable ideal.21 All this was beyond the ...
Side 48
... characters for abandoning reason and allowing the Gothic terrors to invade their souls , when all could have been naturalistically explained . But the Gothic state of mind , as we have said , is what matters imaginatively ; and that ...
... characters for abandoning reason and allowing the Gothic terrors to invade their souls , when all could have been naturalistically explained . But the Gothic state of mind , as we have said , is what matters imaginatively ; and that ...
Side 49
... characters play different social roles and have different names gestures , however dimly , toward the fully internalised psychic drama achieved in Prometheus Unbound . There the arch - tyrant , the diabolical Jupiter , is also ...
... characters play different social roles and have different names gestures , however dimly , toward the fully internalised psychic drama achieved in Prometheus Unbound . There the arch - tyrant , the diabolical Jupiter , is also ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing