Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 2
... believe With colours idly spread , - behind , lurk Fear And Hope , twin Destinies ; who ever weave Their shadows , o'er the chasm , sightless and drear . I knew one who had lifted it - he sought , For his lost heart was tender , things ...
... believe With colours idly spread , - behind , lurk Fear And Hope , twin Destinies ; who ever weave Their shadows , o'er the chasm , sightless and drear . I knew one who had lifted it - he sought , For his lost heart was tender , things ...
Side 87
... believe in them ; and they both agree , in the very face of reason , that none could believe in ghosts without believing in God . I do not think that all the persons who profess to discredit these visitations , really discredit them ...
... believe in them ; and they both agree , in the very face of reason , that none could believe in ghosts without believing in God . I do not think that all the persons who profess to discredit these visitations , really discredit them ...
Side 148
... believe in the essential goodness of things : to believe that pain and hate and fear are things that should not be , and have no meaning . Unable to find the comfort they seek in the real world , they ask whether there is not beyond it ...
... believe in the essential goodness of things : to believe that pain and hate and fear are things that should not be , and have no meaning . Unable to find the comfort they seek in the real world , they ask whether there is not beyond it ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing