Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 23
... awareness - a rescue of self - consciousness from the impact of powerful experiences which , by their terror or by their visionary intensity , would otherwise overwhelm it : the kind of experiences of which Shelley once wrote that they ...
... awareness - a rescue of self - consciousness from the impact of powerful experiences which , by their terror or by their visionary intensity , would otherwise overwhelm it : the kind of experiences of which Shelley once wrote that they ...
Side 29
... awareness is no longer the discrepancy between human and divine , but in opposing forces within man's own imagination : his aspiration toward absolute existence and the necessary contingencies of his finite nature , his acknowledgment ...
... awareness is no longer the discrepancy between human and divine , but in opposing forces within man's own imagination : his aspiration toward absolute existence and the necessary contingencies of his finite nature , his acknowledgment ...
Side 91
... awareness feels very different from a consciousness assured of the substantial presence of a ' thinking thing ' ( res cogitans ) . In this respect , Shelley is part of a larger cultural shift toward a new experience of the self which ...
... awareness feels very different from a consciousness assured of the substantial presence of a ' thinking thing ' ( res cogitans ) . In this respect , Shelley is part of a larger cultural shift toward a new experience of the self which ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing