Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side x
... appear an extremist ; and certainly the straining after extremes was a part of Shelley's nature . But it was no more than a part , and it has been ... appears to have made contact with deep and contrary intuitions in his soul , and X Preface.
... appear an extremist ; and certainly the straining after extremes was a part of Shelley's nature . But it was no more than a part , and it has been ... appears to have made contact with deep and contrary intuitions in his soul , and X Preface.
Side 17
... appears as a landscape of dream or reverie , an imagined Paradise or island of the blest . In Shelley's imagery ... appear to be the case is that in maturing as a poet he jettisoned that dogmatic rejection of the heart's instinctive ...
... appears as a landscape of dream or reverie , an imagined Paradise or island of the blest . In Shelley's imagery ... appear to be the case is that in maturing as a poet he jettisoned that dogmatic rejection of the heart's instinctive ...
Side 19
... appear tenuous as argument ; but they have greater relevance when read as an index of Shelley's poetic sensitivity to ... appears disturbed . It is not that he objects to anything in the argument . What makes him uneasy is a submerged ...
... appear tenuous as argument ; but they have greater relevance when read as an index of Shelley's poetic sensitivity to ... appears disturbed . It is not that he objects to anything in the argument . What makes him uneasy is a submerged ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing