Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side x
... achievement . Earlier studies have stressed the individually very different facets of Shelley's imagination , in particular drawing attention to the opposition between his scepticism and his ' visionary ' , idealist leanings - or simply ...
... achievement . Earlier studies have stressed the individually very different facets of Shelley's imagination , in particular drawing attention to the opposition between his scepticism and his ' visionary ' , idealist leanings - or simply ...
Side 27
... achievement in this kind of poetry has been deservedly praised . By including human doubts and reservations at the same time as celebrating the power of an imaginative vision to transport and stir us , he evades the risk of alienating ...
... achievement in this kind of poetry has been deservedly praised . By including human doubts and reservations at the same time as celebrating the power of an imaginative vision to transport and stir us , he evades the risk of alienating ...
Side 91
... achievement , a victory wrested from the flux and variety of empirical experience , the establishing of coherence and connection . Obviously such a mode of self- awareness feels very different from a consciousness assured of the ...
... achievement , a victory wrested from the flux and variety of empirical experience , the establishing of coherence and connection . Obviously such a mode of self- awareness feels very different from a consciousness assured of the ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing