Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 92
... Shelley's experience , but is defined in the balance of forces which threaten to overwhelm and ' extinguish ' it . The self is constantly rescued from the brink of extinction ; but we can now also appreciate how Shelley regards the risk ...
... Shelley's experience , but is defined in the balance of forces which threaten to overwhelm and ' extinguish ' it . The self is constantly rescued from the brink of extinction ; but we can now also appreciate how Shelley regards the risk ...
Side 203
... Shelley : A Voice Not Understood ( Manchester , 1977 ) pp . 1–32 . 43. Harold Bloom , ' Introduction ' to Selected Poetry and Prose of Shelley ( New York , 1966 ) p . xviii . 44. Wasserman , Shelley : A Critical Reading . 45. Shelley's ...
... Shelley : A Voice Not Understood ( Manchester , 1977 ) pp . 1–32 . 43. Harold Bloom , ' Introduction ' to Selected Poetry and Prose of Shelley ( New York , 1966 ) p . xviii . 44. Wasserman , Shelley : A Critical Reading . 45. Shelley's ...
Side 214
... Shelley : The Pursuit , pp . 187ff , but it has the support of Shelley's intimates , Hogg and Peacock , and the evidence of a strange drawing ( reproduced by Rogers ) . Particularly important daemonic references in Shelley's poetry are ...
... Shelley : The Pursuit , pp . 187ff , but it has the support of Shelley's intimates , Hogg and Peacock , and the evidence of a strange drawing ( reproduced by Rogers ) . Particularly important daemonic references in Shelley's poetry are ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing