Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 167
... PROMETHEUS UNBOUND Shelley's greatest and most original achievement , the ' lyrical drama ' Prometheus Unbound , was composed in a period of about a year from autumn 1818 to the latter part of 1819 , with perhaps a few later additions ...
... PROMETHEUS UNBOUND Shelley's greatest and most original achievement , the ' lyrical drama ' Prometheus Unbound , was composed in a period of about a year from autumn 1818 to the latter part of 1819 , with perhaps a few later additions ...
Side 226
... Prometheus Unbound , 1 , 21–2 . 3. Ibid . , 1 , 827-32 . 4. Ibid . , 1 , 120-5 . 5. Thus at the end of Act 1 Prometheus must still say : I would fain Be what it is my destiny to be , The saviour and the strength of suffering man . ( ...
... Prometheus Unbound , 1 , 21–2 . 3. Ibid . , 1 , 827-32 . 4. Ibid . , 1 , 120-5 . 5. Thus at the end of Act 1 Prometheus must still say : I would fain Be what it is my destiny to be , The saviour and the strength of suffering man . ( ...
Side 227
... Prometheus Unbound , IV , 206–35 . 12. Harold Bloom , Shelley's Mythmaking ( Cornell , 1959 ) pp . 140-1 , 231-6 . The mediator of the tradition to the Romantics was once more primarily Milton , as Bloom demonstrates . Most scholars ...
... Prometheus Unbound , IV , 206–35 . 12. Harold Bloom , Shelley's Mythmaking ( Cornell , 1959 ) pp . 140-1 , 231-6 . The mediator of the tradition to the Romantics was once more primarily Milton , as Bloom demonstrates . Most scholars ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing