Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 202
... Coleridge's Poetic Intelligence ( London , 1977 ) , John Beer has suggested , however , that Coleridge's underlying concepts of ' primary consciousness ' etc. developed earlier , before he visited Germany , and retained certain ...
... Coleridge's Poetic Intelligence ( London , 1977 ) , John Beer has suggested , however , that Coleridge's underlying concepts of ' primary consciousness ' etc. developed earlier , before he visited Germany , and retained certain ...
Side 204
... Coleridge , Sonnet To the Rev. W. L. Bowles ( written 1794 ) ; on the link with Akenside see George Dekker , Coleridge and the Literature of Sensibility ( London , 1978 ) pp . 152ff . 16. Richard Sulivan , View of Nature , vol . II ...
... Coleridge , Sonnet To the Rev. W. L. Bowles ( written 1794 ) ; on the link with Akenside see George Dekker , Coleridge and the Literature of Sensibility ( London , 1978 ) pp . 152ff . 16. Richard Sulivan , View of Nature , vol . II ...
Side 212
... Coleridge's Poetic Intelligence , p . 81 cites a note Coleridge made at the end of his copy of K. C. Wolfart's Mesmerismus ( Berlin , 1814 ) : ' I think it probable , that Animal Magnetism will be found connected with a Warmth - Sense ...
... Coleridge's Poetic Intelligence , p . 81 cites a note Coleridge made at the end of his copy of K. C. Wolfart's Mesmerismus ( Berlin , 1814 ) : ' I think it probable , that Animal Magnetism will be found connected with a Warmth - Sense ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing