Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17Indiana University Press, 1994 |
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Side 28
... voice of " The Good Nun " angrily bans Mr. Dean from the convent . Another offscreen voice ( Friedrich's own ) interrupts , prompting the narrating voice and laughingly singing Mr. Dean's song : “ No , I won't be a nun . No I shall not ...
... voice of " The Good Nun " angrily bans Mr. Dean from the convent . Another offscreen voice ( Friedrich's own ) interrupts , prompting the narrating voice and laughingly singing Mr. Dean's song : “ No , I won't be a nun . No I shall not ...
Side 29
... voice on the sound track “ outs " nuns she had crushes on as a child . Other nuns are framed on screen in two - shots or three - shots , by association also becoming lesbians , or at least potential les- bians . Friedrich is ambivalent ...
... voice on the sound track “ outs " nuns she had crushes on as a child . Other nuns are framed on screen in two - shots or three - shots , by association also becoming lesbians , or at least potential les- bians . Friedrich is ambivalent ...
Side 61
... voice of the maniac , " but the voice of the maniac also spoke for her , protesting against the political silencing of women . Notes What began as a rather narrow textual reading has been greatly expanded with the encouragement and ...
... voice of the maniac , " but the voice of the maniac also spoke for her , protesting against the political silencing of women . Notes What began as a rather narrow textual reading has been greatly expanded with the encouragement and ...
Indhold
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
Copyright | |
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abuse aesthetic American appears argues audience Aunt Jemima authority avant-garde body Caraboo cinema contemporary context critical culture discourse discussion Dix's documentary essay example fashion female feminine feminism feminist feminist pedagogy fiction figure film filmmaker Friedrich gender genre girl Gulf War Gutch identity images insane issue Jane Warton Jewish Keyssar lesbian literary Lúcia Murat male Marianne Moore Marshner Mary masculine masquerade melodrama memory menopause ment midlife Modern Moore moral moral treatment Moscow mother musical narrative O'Rourke O'Rourke's play poem political popular position Postmodern Princess Caraboo prison produced prostitute Pudovkin's reading relation representation role Routledge Russian scene sexual social Socialist Realist Soviet space spectacle spectator Stalin Stalinist story street student Studies Su Friedrich suffrage suffragettes suggests Susan texts theory tion torture University of Wisconsin-Milwaukee voice Wilcox woman Woman of Bangkok women writes York