Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 101988 |
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Side 14
... woman's literalness is fatal to the man's banal figuration : she loses an eye , but he loses face . He can never again " cast an eye " on another woman without thinking literally of the bloody eye that replaced the letter . So ...
... woman's literalness is fatal to the man's banal figuration : she loses an eye , but he loses face . He can never again " cast an eye " on another woman without thinking literally of the bloody eye that replaced the letter . So ...
Side 38
... woman who is never seen on camera , a woman who has been brutally exploited by her insurance company . In this storyline , the black woman functions as nothing more than a pretense for Ann Kelsey to fight the insurance company ; indeed ...
... woman who is never seen on camera , a woman who has been brutally exploited by her insurance company . In this storyline , the black woman functions as nothing more than a pretense for Ann Kelsey to fight the insurance company ; indeed ...
Side 74
... woman typically figures as an object in the patriarchal system , " but in masochism the situation is reversed , and the woman is made into the " master and torturer " rather than the object , with the result that the entire system is ...
... woman typically figures as an object in the patriarchal system , " but in masochism the situation is reversed , and the woman is made into the " master and torturer " rather than the object , with the result that the entire system is ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic American analysis Andreas Huyssen architectural Art of Noise audience avantgarde banality Baudrillard become body cassette cinema claims of purity contemporary context criminal critical critique cultural studies Dallas day-time law Deleuze Derrida discourse essays Eternal Frame example exercise farm father female feminine feminism feminist film Fonda Freud function futurist gender genre Heartbreak Ridge Hill Street Blues ideal ideological issue Jane Jane Fonda kitsch Kuzak L.A. Law Lacan law show lawyer letter literally male mass culture means mirror modern narrative noise notion performance political popular culture position postmodern practice production programming punk relation representation represented Russolo sexual Shamberg soap opera social space spatial spectacle spectator story storyline strategies structure suggests symbolic Tania Modleski tape television Teresa de Lauretis theater theory tion traditional trans transgression viewers voice woman women writing York