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Side 37
Where does the authority of the voice of the aerobics leader come from ? Unlike other women's directive language , it is not softened . The content of justifications , explanation , and correction of the addressee clearly calls on the ...
Where does the authority of the voice of the aerobics leader come from ? Unlike other women's directive language , it is not softened . The content of justifications , explanation , and correction of the addressee clearly calls on the ...
Side 49
One strategy is to undercut the leader as a subject of the utterance by averting her gaze to her own body , by weakening the authority of her voice or by literally giving her voice to some other body , or by dividing her body into lots ...
One strategy is to undercut the leader as a subject of the utterance by averting her gaze to her own body , by weakening the authority of her voice or by literally giving her voice to some other body , or by dividing her body into lots ...
Side 57
For the male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors ...
For the male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Almindelige termer og sætninger
activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10 |
| Bidragydere | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| udgivet | 1988 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 25. apr 2008 |
| Eksporter henvisning | BiBTeX EndNote RefMan |