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Side 28
It is separated spatially as well , either physically , in a studio or gymnasium , or virtually , in a space carved out of the home in front of the television set . Sounds and looks which enter the viewing space and mimicry of an image ...
It is separated spatially as well , either physically , in a studio or gymnasium , or virtually , in a space carved out of the home in front of the television set . Sounds and looks which enter the viewing space and mimicry of an image ...
Side 29
Her gaze establishes a virtual position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and ...
Her gaze establishes a virtual position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and ...
Side 113
20 The terms “ spatial practices " and " space of representation " are borrowed from Henri Lefebvre ( La Production de l'espace ( Paris , 1974 ] ) . As used here , “ spatial practices ” are akin to ritual , and " space of representation ...
20 The terms “ spatial practices " and " space of representation " are borrowed from Henri Lefebvre ( La Production de l'espace ( Paris , 1974 ] ) . As used here , “ spatial practices ” are akin to ritual , and " space of representation ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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