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Side 112
Unlike Tsumi , I do not borrow “ transgression ” literally from Bataille's and Foucault's discussions on the erotic , instead I exploit the spatial metaphor which makes the " concept ” of transgression possible .
Unlike Tsumi , I do not borrow “ transgression ” literally from Bataille's and Foucault's discussions on the erotic , instead I exploit the spatial metaphor which makes the " concept ” of transgression possible .
Side 5
Once it is conceded that booms positively shape the possible , by stabilizing a temporary horizon in relation to which one cannot claim a position of definite exteriority , then it also becomes possible to think more carefully the ...
Once it is conceded that booms positively shape the possible , by stabilizing a temporary horizon in relation to which one cannot claim a position of definite exteriority , then it also becomes possible to think more carefully the ...
Side 16
Blending these produces a notion of subjectivity as a dynamic field , in which all sorts of permutations are possible at different moments in an endless process of production , contestation , and reproduction of social identities .
Blending these produces a notion of subjectivity as a dynamic field , in which all sorts of permutations are possible at different moments in an endless process of production , contestation , and reproduction of social identities .
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York