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Side 58
8 • these representations were performed in popular festivities , the cat as femaleness ( enigma , witchiness ) was a more likely object of popular cruelty . Here as in other popular carnivalesque activities and representations , class ...
8 • these representations were performed in popular festivities , the cat as femaleness ( enigma , witchiness ) was a more likely object of popular cruelty . Here as in other popular carnivalesque activities and representations , class ...
Side 17
What takes its place is firstly a citing of popular voices ( the informants ) , an act of translation and commentary , and then a play of identification between the knowing subject of cultural studies , and a collective subject ...
What takes its place is firstly a citing of popular voices ( the informants ) , an act of translation and commentary , and then a play of identification between the knowing subject of cultural studies , and a collective subject ...
Side 19
The problem is that in anti - academic poptheory writing ( much of which , like Chambers's book , circulates as textbooks with exam and essay topics at the end of each chapter ) , a stylistic enactment of the “ popular ” as distracted ...
The problem is that in anti - academic poptheory writing ( much of which , like Chambers's book , circulates as textbooks with exam and essay topics at the end of each chapter ) , a stylistic enactment of the “ popular ” as distracted ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York