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Side 38
The more subject / object functions the aerobic leader can unite , the greater the unifying power of her imaginary would seem to be . The consumer is most directly placed in a position of identification with the represented celebrity ...
The more subject / object functions the aerobic leader can unite , the greater the unifying power of her imaginary would seem to be . The consumer is most directly placed in a position of identification with the represented celebrity ...
Side 12
Banal seduction , on the other hand , does involve desire : desire for , perhaps , an immovable object to overcome . That's what's fatal for it . Baudrillard's next move is to claim that both of these strategies are finished .
Banal seduction , on the other hand , does involve desire : desire for , perhaps , an immovable object to overcome . That's what's fatal for it . Baudrillard's next move is to claim that both of these strategies are finished .
Side 14
So Baudrillard's final resolution of the play between banality and fatality is this : a banal theory assumes , like the platitudinous seducer , that the subject is more powerful than the object . A fatal theory knows , like the woman ...
So Baudrillard's final resolution of the play between banality and fatality is this : a banal theory assumes , like the platitudinous seducer , that the subject is more powerful than the object . A fatal theory knows , like the woman ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York