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Side 25
The marginality of exercise in broadcasting was surely due to its ratings , but these can be linked in turn to the kind of audience ( women ) , the kind of presenters involved ( men and women in the fitness business ) , and ultimately ...
The marginality of exercise in broadcasting was surely due to its ratings , but these can be linked in turn to the kind of audience ( women ) , the kind of presenters involved ( men and women in the fitness business ) , and ultimately ...
Side 70
It may be the case that this return to earlier production modes is merely nostalgic , a new kind of musical populism , because this activity is primarily centered on the record making a process itself ( recording , pressing , packaging ...
It may be the case that this return to earlier production modes is merely nostalgic , a new kind of musical populism , because this activity is primarily centered on the record making a process itself ( recording , pressing , packaging ...
Side 130
If the musical is a communication , a kind of letter , it can be a detouring , transforming , displacing one . Derrida suggests that communication breaks down when letters go astray , but we might also suggest that communication can be ...
If the musical is a communication , a kind of letter , it can be a detouring , transforming , displacing one . Derrida suggests that communication breaks down when letters go astray , but we might also suggest that communication can be ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York