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Side 56
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Side 77
See “ Her Body , Himself : Gender in the Slasher Films , ” Representations 20 ( Fall 1987 ) : 131-72 . In literary and art theory , see Leo Bersani , The Freudian Body : Psychoanalysis and Art ( New York : Columbia UP , 1986 ) .
See “ Her Body , Himself : Gender in the Slasher Films , ” Representations 20 ( Fall 1987 ) : 131-72 . In literary and art theory , see Leo Bersani , The Freudian Body : Psychoanalysis and Art ( New York : Columbia UP , 1986 ) .
Side 126
In her discussion of the debates concerning women's programming , Rosalind Coward explores the ways in which assumptions about gender limit television's output , allowing producers to reject the feminist demand that TV specifically ...
In her discussion of the debates concerning women's programming , Rosalind Coward explores the ways in which assumptions about gender limit television's output , allowing producers to reject the feminist demand that TV specifically ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10 |
| Bidragydere | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| udgivet | 1988 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 25. apr 2008 |
| Eksporter henvisning | BiBTeX EndNote RefMan |