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Side 56
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Side 77
See “ Her Body , Himself : Gender in the Slasher Films , ” Representations 20 ( Fall 1987 ) : 131-72 . In literary and art theory , see Leo Bersani , The Freudian Body : Psychoanalysis and Art ( New York : Columbia UP , 1986 ) .
See “ Her Body , Himself : Gender in the Slasher Films , ” Representations 20 ( Fall 1987 ) : 131-72 . In literary and art theory , see Leo Bersani , The Freudian Body : Psychoanalysis and Art ( New York : Columbia UP , 1986 ) .
Side 126
In her discussion of the debates concerning women's programming , Rosalind Coward explores the ways in which assumptions about gender limit television's output , allowing producers to reject the feminist demand that TV specifically ...
In her discussion of the debates concerning women's programming , Rosalind Coward explores the ways in which assumptions about gender limit television's output , allowing producers to reject the feminist demand that TV specifically ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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