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Side 24
Rather than applying “ a second skin " of femininity externally , both diet and exercise work from the inside out , requiring an assertion of will ... As such it contradicts long - prevailing notions of feminine passivity and stasis .
Rather than applying “ a second skin " of femininity externally , both diet and exercise work from the inside out , requiring an assertion of will ... As such it contradicts long - prevailing notions of feminine passivity and stasis .
Side 25
9 a woman who is the subject of enunciation is not at all the same as the feminine subject of her utterance , the feminine “ I , " a still image from the age of youth . We see her image as visible work , as body armor , as an index of ...
9 a woman who is the subject of enunciation is not at all the same as the feminine subject of her utterance , the feminine “ I , " a still image from the age of youth . We see her image as visible work , as body armor , as an index of ...
Side 42
The new means of dissemination of cultural representations of femininity promise us greater personal choice ; yet , the market concentrates models of feminine perfection in fewer models than ever before . Empowering media such as the ...
The new means of dissemination of cultural representations of femininity promise us greater personal choice ; yet , the market concentrates models of feminine perfection in fewer models than ever before . Empowering media such as the ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York