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Side 80
In that one and the same writing marries the described to the describer of this description and makes him the author of his love . Quite different is the tradition , according to which imagination and sentiment do not rule and make any ...
In that one and the same writing marries the described to the describer of this description and makes him the author of his love . Quite different is the tradition , according to which imagination and sentiment do not rule and make any ...
Side 87
a > a What Derrida discovers is an irrevocable split which no longer allows the description and the describer of this description to coincide nor engenders authorship and autobiography , that of Freud , for example , but rather ...
a > a What Derrida discovers is an irrevocable split which no longer allows the description and the describer of this description to coincide nor engenders authorship and autobiography , that of Freud , for example , but rather ...
Side 42
... and on the other , female narration that theorizes the symmetry of male and female behavior - correspond to the two types of swinging doors which I've described as symptomatic of L.A. Law's engagement with feminism .
... and on the other , female narration that theorizes the symmetry of male and female behavior - correspond to the two types of swinging doors which I've described as symptomatic of L.A. Law's engagement with feminism .
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Almindelige termer og sætninger
activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10 |
| Bidragydere | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| udgivet | 1988 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 25. apr 2008 |
| Eksporter henvisning | BiBTeX EndNote RefMan |