Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 101988 |
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Side 49
... Law and Mr. Jones ( 1960 ) , and The Defenders ( 1961 ) . In addition to these prime - time dramas , the 1950s also witnessed the emergence of the day - time law serial , the thirty - minute morality play which aimed to recreate the ...
... Law and Mr. Jones ( 1960 ) , and The Defenders ( 1961 ) . In addition to these prime - time dramas , the 1950s also witnessed the emergence of the day - time law serial , the thirty - minute morality play which aimed to recreate the ...
Side 50
... day - time television . Although the shows I will analyze have less to do with criminal law than with civil law in a strictly legal sense , the modes of representation and forms of fascination specific to them do serve to regulate what ...
... day - time television . Although the shows I will analyze have less to do with criminal law than with civil law in a strictly legal sense , the modes of representation and forms of fascination specific to them do serve to regulate what ...
Side 59
... day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine conspiracy . In this regard , we would do well to recall Freud's distinction between hysteria and criminality ...
... day - time law show , both of which are unable to utter the name of the Father without conjuring up the threat of feminine conspiracy . In this regard , we would do well to recall Freud's distinction between hysteria and criminality ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic American analysis Andreas Huyssen architectural Art of Noise audience avantgarde banality Baudrillard become body cassette cinema claims of purity contemporary context criminal critical critique cultural studies Dallas day-time law Deleuze Derrida discourse essays Eternal Frame example exercise farm father female feminine feminism feminist film Fonda Freud function futurist gender genre Heartbreak Ridge Hill Street Blues ideal ideological issue Jane Jane Fonda kitsch Kuzak L.A. Law Lacan law show lawyer letter literally male mass culture means mirror modern narrative noise notion performance political popular culture position postmodern practice production programming punk relation representation represented Russolo sexual Shamberg soap opera social space spatial spectacle spectator story storyline strategies structure suggests symbolic Tania Modleski tape television Teresa de Lauretis theater theory tion traditional trans transgression viewers voice woman women writing York