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Side 118
... narrative movement , what Kuntzel calls a défilement ( playing on the debasement connoted in that word , the loss from image to image , but also on the idea ( more apparent in French ) of a parade of images , their unfurling ) .
... narrative movement , what Kuntzel calls a défilement ( playing on the debasement connoted in that word , the loss from image to image , but also on the idea ( more apparent in French ) of a parade of images , their unfurling ) .
Side 50
Court , and The Judge in relation to what I will call “ the text of criminality , ” and to compare this textual practice with what I refer to as “ the hysterical text ” on day - time television . Although the shows I will analyze have ...
Court , and The Judge in relation to what I will call “ the text of criminality , ” and to compare this textual practice with what I refer to as “ the hysterical text ” on day - time television . Although the shows I will analyze have ...
Side 109
These responses lead Ang to analyze in what way the show is or is not realistic , how it is one viewer could call the show realistic while another finds it decidedly unrealistic , etc. It seems to me , however , that the real question ...
These responses lead Ang to analyze in what way the show is or is not realistic , how it is one viewer could call the show realistic while another finds it decidedly unrealistic , etc. It seems to me , however , that the real question ...
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York