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Side 118
Based on a continual difference become sameness — the 24 frames per second that , in Godard's phrase , constitute a ... Difference , the difference of the technical movement from frame to frame , fades under the force of an energetic ...
Based on a continual difference become sameness — the 24 frames per second that , in Godard's phrase , constitute a ... Difference , the difference of the technical movement from frame to frame , fades under the force of an energetic ...
Side 88
The resemblance of Eternal Frame to the work of Baudrillard is not coincidental , given the historical period and their common source in the thought of McLuhan . However , it preceeded by at least ten years the boom in the United States ...
The resemblance of Eternal Frame to the work of Baudrillard is not coincidental , given the historical period and their common source in the thought of McLuhan . However , it preceeded by at least ten years the boom in the United States ...
Side 92
“ This is really bad taste , " remarks Hall in Eternal Frame when watching their rear screen footage on a television monitor . The distance between Eternal Frame and Baudrillard can be measured by their conceptions of the audience .
“ This is really bad taste , " remarks Hall in Eternal Frame when watching their rear screen footage on a television monitor . The distance between Eternal Frame and Baudrillard can be measured by their conceptions of the audience .
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Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Almindelige termer og sætninger
activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10 |
| Bidragydere | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| udgivet | 1988 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 25. apr 2008 |
| Eksporter henvisning | BiBTeX EndNote RefMan |