 ... could lay- the thoughts on the left hand, the language on the right. But, generally speaking, you can no more deal thus with poetic thoughts than you can with soul and body. The union is too subtle, the intertexture too ineffable, — each coexisting...  Blackwood's Edinburgh Magazine - Side 1331841Fuld visning - Om denne bog
 | Thomas De Quincey - 1853 - 382 sider
...the intertexture too ineffable, each co-existing not merely with the other, but each in and through the other. An image, for instance, a single word,...what proportion the thoughts are subjective, in that some proportion does their very essence become identical with the expression, and the style become... | |
 | Thomas De Quincey - 1853 - 372 sider
...the intertexture too ineffable, each co-existing not merely with the other, but each in and through the other. An image, for instance, a single word,...what proportion the thoughts are subjective, in that some proportion does their very essence become identical with the expression, and the style become... | |
 | Thomas De Quincey - 1853 - 370 sider
...the intertexture too ineffable, each co-existing not merely with the other, but each in and through the other. An image, for instance, a single word,...what proportion the thoughts are subjective, in that si$me proportion does their very essence become identical with the expression, and the style become... | |
 | Thomas De Quincey - 1853 - 372 sider
...the intertexture too ineffable, each co-existing not merely with the other, but each in and throvgh the other. An image, for instance, a single word,...what proportion the thoughts are subjective, in that some proportion does their very essence become identical with the expression, and the style become... | |
 | Thomas De Quincey - 1862 - 364 sider
...too ineffable, each co-existing ^ ^ ^ not merely with the other, but each in and through the 1 >' * other. An image, for instance, a single word, often...elements are not united as a body with a separable dress, i but as a mysterious incarnation. And thus, in what proportion the thoughts are subjective, in that... | |
 | Thomas De Quincey - 1890 - 476 sider
...intertexture too ineffable, — each co-existing not merely with the other, but each in and through the other. An image, for instance, a single word,...thoughts are subjective, in that same proportion does the very essence become identical with the expression, and the style become confluent with the matter.... | |
 | Thomas De Quincey - 1893 - 294 sider
...intertexture too ineffable, — each co-existing not merely with the other, but each in and through the other. An image, for instance, a single word,...thoughts are subjective, in that same proportion does the very essence become identical with the expression, and the style become confluent with the matter.1... | |
 | Thomas De Quincey - 1893 - 300 sider
...incarnation. And thus, in what proportion the thoughts are subjective, in that same proportion does the very essence become identical with the expression, and the style become confluent with the matter.1 93. The Greeks, by want of books, philosophical instruments, and innumerable other aids to... | |
 | Thomas De Quincey, David Masson - 1897 - 472 sider
...ineffable, — each co-existing not merely with the other, but each in and through the other. An image, f6r instance, a single word, often enters into a thought...thoughts are subjective, in that same proportion does the very essence become identical with the expression, and the style become confluent with the matter.... | |
 | Henry S. Salt - 1904 - 140 sider
...Wordsworth's remark that style is not the dress but the incarnation of thought, and concludes that " in what proportion the thoughts are subjective, in...become identical with the expression, and the style becomes confluent with the matter." Certainly De Quincey's own style is the perfect counterpart of... | |
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