A System of Elocution: With Special Reference to Gesture, to the Treatment of Stammering, and Defective Articulation ...E.H. Butler & Company, 1855 - 381 sider |
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Side 22
... Diag . 2 . Diag . 3 . à 8 w พ The opening of the tube ( Diag . 1 , ) represents the aperture of the mouth in the utterance of the mono- * I have said that à and 1 are sometimes diphthongs , and some- times triphthongs ; hence , above ...
... Diag . 2 . Diag . 3 . à 8 w พ The opening of the tube ( Diag . 1 , ) represents the aperture of the mouth in the utterance of the mono- * I have said that à and 1 are sometimes diphthongs , and some- times triphthongs ; hence , above ...
Side 23
... Diag . 2 represents the aperture of the mouth in commencing the utterance of the diph- thong - the portion of the figure between 8 and w , shows the gradual diminution of the aperture of the mouth during the utterance of the first ...
... Diag . 2 represents the aperture of the mouth in commencing the utterance of the diph- thong - the portion of the figure between 8 and w , shows the gradual diminution of the aperture of the mouth during the utterance of the first ...
Side 39
... Diag . 4 is a graphic representation of the scale . The heavy , horizontal , parallel lines , represent the notes ; and the spaces between them , the consecutive intervals of the scale . * DIATONIC [ Greek , dua , by or through , and ...
... Diag . 4 is a graphic representation of the scale . The heavy , horizontal , parallel lines , represent the notes ; and the spaces between them , the consecutive intervals of the scale . * DIATONIC [ Greek , dua , by or through , and ...
Side 40
... ( Diag . 4. ) | -2 -- Re- 1 -- Do-- An interval is a difference in pitch . Intervals are either discrete , or concrete . A discrete interval is the difference in pitch between any two notes which vary from each other in acuteness and ...
... ( Diag . 4. ) | -2 -- Re- 1 -- Do-- An interval is a difference in pitch . Intervals are either discrete , or concrete . A discrete interval is the difference in pitch between any two notes which vary from each other in acuteness and ...
Side 41
... Diag . 5. ) The Italians call the natural voice voce di petto , and the falsetto voice voce di testa ; † because they suppose the former to come from the chest , and the latter from the head . This error has arisen from a want of anato ...
... Diag . 5. ) The Italians call the natural voice voce di petto , and the falsetto voice voce di testa ; † because they suppose the former to come from the chest , and the latter from the head . This error has arisen from a want of anato ...
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Almindelige termer og sætninger
action Andrew Comstock articulation beauty body breast Cæsar called Cato character circumflex cure of stammering death degree Diag diagrams diatonic scale diphthongs earth elements elevated Elocution emphatic gesture English language Engravings Erin go bragh eternal ev'ry exercise expression eyes falling inflection falsetto fingers foot force formed gilt give glory grace head heart heaven honor horizontal forwards human voice Hyder Ali illustrated inflection language light Lochinvar manner marked ment Metronome mind morocco motion mouth muscles muslin never notation o'er orator Philadelphia pitch position posture PRACTICAL ELOCUTION Price principal gesture pronounced pupil Quintilian rest right hand semitone sentiments shf st smile song soul sound speech striking subvowel supine syllable thee things thou thought tion tongue trembling triphthongs ture Turkey utterance Vocal Gymnastics vowel wave words
Populære passager
Side 242 - When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony and shroud and pall And breathless darkness and the narrow house Make thee to shudder and grow sick at heart, Go forth under the open sky and list To Nature's teachings, while from all around — Earth and her waters and the depths of air — Comes a still voice...
Side 260 - There is no longer any room for hope. If we wish to be free — if we mean to preserve inviolate those inestimable privileges for which we have been so long contending — if we mean not basely to abandon...
Side 242 - Thou shalt lie down With patriarchs of the infant world — with kings, The powerful of the earth — the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre.
Side 337 - So stately his form, and so lovely her face, That never a hall such a galliard did grace, While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume ; And the bride-maidens whispered, " 'Twere better by far To have matched our fair cousin with young Lochinvar.
Side 335 - And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail; And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown.
Side 204 - ON Linden, when the sun was low, All bloodless lay the untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly. But Linden saw another sight, When the drum beat, at dead of night, Commanding fires of death to light The darkness of her scenery.
Side 179 - I AM monarch of all I survey, My right there is none to dispute ; From the centre all round to the sea I am lord of the fowl and the brute.
Side 303 - He gained from heaven ('twas all he wished) a friend. No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose) The bosom of his father and his God.
Side 260 - We have held the subject up in every light of which it is capable ; but it has been all in vain. Shall we resort to entreaty and humble supplication?
Side 303 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noon-tide would he stretch, And pore upon the brook that babbles by.