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Into the music of Heaven's undefiled,
Call me no longer. Silence on the bier,
While I call God call God! So let thy mouth
Be heir to those who are now exanimate.
Gather the north flowers to complete the south,
And catch the early love up in the late.
Yes, call me by that name, and I, in truth,
With the same heart, will answer and not wait.

THE CHILDHOOD OF AURORA LEIGH.

(FROM "AURORA LEIGH.")

indeed,

My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old, my life
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life,
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips
It might have steadied the uneasy breath,
And reconciled and fraternized my soul
With the new order. As it was,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night in shutting up the fold,
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children (to be just),
They know a simple, merry, tender knack
Of tying sashes, fitting baby-shoes,
And stringing pretty words that make no sense,

And kissing full sense into empty words,
Which things are corals to cut life upon,
Although such trifles: children learn by such,
Lore's holy earnest in a pretty play
And get not over-early solemnized,
But seeing, as in a rose-bush, Love's Divine
Which burns and hurts not, not a single bloom,
Become aware and unafraid of Love.
Such good do mothers. Fathers love as well

Mine did, I know, but still with heavier brains,
And wills more consciously responsible,
And not as wisely, since less foolishly;
So mothers have God's license to be missed.

My father was an austere Englishman,
Who, after a dry lifetime spent at home
In college-learning, law, and parish talk,
Was flooded with a passion unaware,
His whole provisioned and complacent past
Drowned out from him that moment. As he stood
In Florence, where he had come to spend a month
And note the secret of Da Vinci's drains,
He musing somewhat absently perhaps
Some English question . . . whether men should pay
The unpopular but necessary tax
With left or right hand in the alien sun
In that great square of the Santissima
There drifted past him (scarcely marked enough
To move his comfortable island scorn)
A train of priestly banners, cross and psalm,
The white-veiled rose-crowned maidens holding up
Tall tapers, weighty for such wrists, aslant
To the blue luminous tremor of the air,
And letting drop the white wax as they went
To eat the bishop's wafer at the church;
From which long trail of chanting priests and girls,
A face flashed like a cymbal on his face

And shook with silent clangour brain and heart,
Transfiguring him to music. Thus, even thus,
He too received his sacramental gift
With eucharistic meanings; for he loved.

And thus beloved, she died. I've hcard it said
That but to see him in the first surprise
Of widower and father, nursing me,
Unmothered little child of four years old,
His large man's hands afraid to touch my curls,
As if the gold would tarnish, his grave lips
Contriving such a miserable smile
As if he knew needs must, or I should die,
And yet 't was hard , would almost make the stones
Cry out for pity. There's a verse he set
In Santa Croce to her memory,
“Weep for an infant too young to weep much
When death removed this mother"

- stops the mirth
To-day on women's faces when they walk
With rosy children hanging on their gowns,
Under the cloister to escape the sun
That scorches in the piazza. After which
He left our Florence and made haste to bide
Himself, his prattling child, and silent grief,
Among the mountains above Pelago;
Because unmothered babes, he thought, had need
Of mother nature more than others use,
And Pan's white goats, with udders warm and full
Of mystic contemplations, come to feed
Poor milkless lips of orphans like his own
Such scholar-scraps he talked, I 've heard from friends
For even prosaic men who wear grief long
Will get to wear it as a hat aside
With a flower stuck in't. Father, then, and child,
We lived among the mountains many years,
God's silence on the outside of the house,
And we who did not speak too loud within,

And old Assunta to make up the fire,
Crossing herself whene'er a sudden flame
Which lightened from the firewood, made alive
That picture of my mother on the wall.

The painter drew it after she was dead,
And when the face was finished, throat and hands,
Her cameriera carried him, in hate
Of the English-fashioned shroud, the last brocade
She dressed in at the Pitti; "he should paint
No sadder thing than that,” she swore ,

"to wrong
Her poor signora." Therefore very strange
The effect was. I, a little child, would crouch
For hours upon the floor with knees drawn up,
And gaze across them, half in terror, half
In adoration, at the picture there,
That swan-like supernatural white life
Just sailing upward from the red stiff silk
Which seemed to have no part in it nor power
To keep it from quite breaking out of bounds.
For hours I sat and stared. Assunta's awe
And my poor father's melancholy eyes
Still pointed that way. That way went my thoughts
When wandering beyond sight. And as I grew
In

years, I mixed, confused, unconsciously,
Whatever I last read or heard or dreamed,
Abhorrent, admirable, beautiful,
Pathetical, or ghastly, or grotesque,
With still that face . . . which did not therefore change,
But kept the mystic level of all forms,
Hates , fears, and admirations, was by turns
Ghost, fiend, and angel, fairy, witch, and sprite,
A dauntless Muse who eyes a dreadful Fate,
A loving Psyche who loses sight of Love,
A still Medusa with mild milky brows
All curdled and all clothed upon with snakes
Whose slime falls fast as sweat will; or anon

Our Lady of the Passion, stabbed with swords
Where the Babe sucked; or Lamia in her first
Moonlighted pallor, ere she shrunk and blinked
And shuddering wriggled down to the unclean;
Or my own mother, leaving her last smile
In her last kiss upon the baby-mouth
My father pushed down on the bed for that,
Or my dead mother, without smile or kiss,
Buried at Florence. All which images,
Concentred on the picture, glassed themselves
Before my meditative childhood, as
The incoherencies of change and death
Are represented fully, mixed and merged,
In the smooth fair mystery of perpetual Life.
And while I stared away my childish wits
Upon my mother's picture (ah, poor child!),
My father, who through love had suddenly
Thrown off the old conventions, broken loose
From chin-bands of the soul, like Lazarus,
Yet had no time to learn to talk and walk
Or grow anew familiar with the sun,
Who had reached to freedom, not to action, lived,
But lived as one entranced, with thoughts, not aims,
Whom love had unmade from a common man
But not completed to an uncommon man,
My father taught me what he had learnt the best
Before he died and left me,

grief and love.
And, seeing we had books among the hills,
Strong words of counselling souls confederate
With vocal pines and waters, out of books
He taught me all the ignorance of men,
And how God laughs in heaven when any man
Says “Here I'm learned; this, I understand;
In that, I am never caught at fault or doubt.”
He sent the schools to school, demonstrating
A fool will pass for such through one mistake,
While a philosopher will pass for such,

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