Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 69
... whole pattern , an instantaneous Gestalt , a rhythmical configuration . All the terms in this whole must be present to consciousness either in sensation or in imagination but simultaneously . And the difference between the rhythmical ...
... whole pattern , an instantaneous Gestalt , a rhythmical configuration . All the terms in this whole must be present to consciousness either in sensation or in imagination but simultaneously . And the difference between the rhythmical ...
Side 190
... whole ; in other words , they have in mind the divine purpose behind the whole fabric of the universe . The teleological explanation is obviously not a scientific explanation . Actually scientists would feel happy if the teleological ...
... whole ; in other words , they have in mind the divine purpose behind the whole fabric of the universe . The teleological explanation is obviously not a scientific explanation . Actually scientists would feel happy if the teleological ...
Side 241
... whole . " He adds that by the time he was being educated , " Western scholars were already shredding the seamless web of human affairs into morsels that were as minute as they were numerous , and they were examining each of these ...
... whole . " He adds that by the time he was being educated , " Western scholars were already shredding the seamless web of human affairs into morsels that were as minute as they were numerous , and they were examining each of these ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Copyright | |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing