Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 83
... vision of the poet . In descrip- tive poetry , outer meaning is broken into a series of prismatic statements through which inner meaning reveals the poet's vision , mood and attitude . We have seen that , in reflective poetry , a ...
... vision of the poet . In descrip- tive poetry , outer meaning is broken into a series of prismatic statements through which inner meaning reveals the poet's vision , mood and attitude . We have seen that , in reflective poetry , a ...
Side 90
... vision if it is to be reflected in his writing . An archetypal or spiritual vision has to be active in the poet if his utterance is to contain a sense of vastness . Some critics think that the manner is more important than the matter ...
... vision if it is to be reflected in his writing . An archetypal or spiritual vision has to be active in the poet if his utterance is to contain a sense of vastness . Some critics think that the manner is more important than the matter ...
Side 196
... vision and not presenting his own theory of tragedy . Again , he makes it clear that he regards the Shakespearean tragic vision as substantially non - theological.9 But the peculiarity of the task before him makes it difficult to rule ...
... vision and not presenting his own theory of tragedy . Again , he makes it clear that he regards the Shakespearean tragic vision as substantially non - theological.9 But the peculiarity of the task before him makes it difficult to rule ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing