Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 4
... utterance to all experience , even the most objective , and therefore it has a natural urge towards the expression of something in the object beyond its mere appearances , even when these seem outwardly to be all that it is enjoying ...
... utterance to all experience , even the most objective , and therefore it has a natural urge towards the expression of something in the object beyond its mere appearances , even when these seem outwardly to be all that it is enjoying ...
Side 49
... utterance has a meaning , but the utterance is not based on a meaning . On the other hand , if I say " I hear Abt Vogler " or " I see an apple " my utterance not only has a meaning but is based on a meaning . Egocentric particulars ...
... utterance has a meaning , but the utterance is not based on a meaning . On the other hand , if I say " I hear Abt Vogler " or " I see an apple " my utterance not only has a meaning but is based on a meaning . Egocentric particulars ...
Side 157
... utterance which generates it , are often used in such a generalised sense as to mean poetic expression in all its sweep . The " Charm " of Kuntaka and Ruyyaka is the " beauty " ( saundarya ) of Vamana . Abhinava43 uses the term to stand ...
... utterance which generates it , are often used in such a generalised sense as to mean poetic expression in all its sweep . The " Charm " of Kuntaka and Ruyyaka is the " beauty " ( saundarya ) of Vamana . Abhinava43 uses the term to stand ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing