Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 2
... true creators ; they are only its channels and instruments : the true creator , the true hearer is the soul . The more rapidly and transparently the rest do their work of transmission , the less they make of their separate claim to ...
... true creators ; they are only its channels and instruments : the true creator , the true hearer is the soul . The more rapidly and transparently the rest do their work of transmission , the less they make of their separate claim to ...
Side 22
... true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in the Supermind ; but Overmind on its summits draws enough of the supramental light to see what the Super- mind sees and do what ...
... true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in the Supermind ; but Overmind on its summits draws enough of the supramental light to see what the Super- mind sees and do what ...
Side 230
... true and pseudo is deplora- ble because poetry is true or nothing , though its mode of approaching , grasping and expressing the truth may be different from that of science . Poetic truth is not pseudo - truth , if such a term is ...
... true and pseudo is deplora- ble because poetry is true or nothing , though its mode of approaching , grasping and expressing the truth may be different from that of science . Poetic truth is not pseudo - truth , if such a term is ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing