Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 188
An Anthology of 20th Century Indian English Essays S. K. Desai, G. N. Devy. 14 Tragedy and Religion R.B. PATANKAR SOME modern critics like Richards1 and Steiner2 have main- tained that tragedy is incompatible with religion . Both ' tragedy ...
An Anthology of 20th Century Indian English Essays S. K. Desai, G. N. Devy. 14 Tragedy and Religion R.B. PATANKAR SOME modern critics like Richards1 and Steiner2 have main- tained that tragedy is incompatible with religion . Both ' tragedy ...
Side 191
... tragedy appears to be impossible . For both of them appear to deny , in some sense , the very fact of human suffering . If tragedy is said to grapple with the problem of human suffering , it seems plausible to say that it will have no ...
... tragedy appears to be impossible . For both of them appear to deny , in some sense , the very fact of human suffering . If tragedy is said to grapple with the problem of human suffering , it seems plausible to say that it will have no ...
Side 192
... tragedy ' . For we have seen in the open- ing paragraphs of this article that only particular varieties of tragedies are incompatible with a particular type of religion . Raphael has something interesting to say on this point . He holds ...
... tragedy ' . For we have seen in the open- ing paragraphs of this article that only particular varieties of tragedies are incompatible with a particular type of religion . Raphael has something interesting to say on this point . He holds ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing