Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 16
... thinking of the static aesthesis that perceives and receives rather than of the dynamic aesthesis which creates ; I was not thinking at all of superior or inferior grades of poetic greatness or beauty . If the complete Overmind power or ...
... thinking of the static aesthesis that perceives and receives rather than of the dynamic aesthesis which creates ; I was not thinking at all of superior or inferior grades of poetic greatness or beauty . If the complete Overmind power or ...
Side 182
... thinking about poetry and ideas , in the context of life , it is one particular aspect of the nature of life which appears significant . Life is a continuously evolving phenomenon ; it is an unceasing " becom- ingness " of things ; it ...
... thinking about poetry and ideas , in the context of life , it is one particular aspect of the nature of life which appears significant . Life is a continuously evolving phenomenon ; it is an unceasing " becom- ingness " of things ; it ...
Side 232
... thinking is separable , the form is inferior , and when the thinking is then examined for evaluation by the normal stand- ards of thinking it appears inferior . Poetry that is broken up into thinking on the one hand and all the other ...
... thinking is separable , the form is inferior , and when the thinking is then examined for evaluation by the normal stand- ards of thinking it appears inferior . Poetry that is broken up into thinking on the one hand and all the other ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing