Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 189
... suffering . However , if it is held that human suffering can be explained rationally , the mystery of suffering , and with it the peculiar quality of the tragic vision , would be lost . This explanation can take one of two forms ...
... suffering . However , if it is held that human suffering can be explained rationally , the mystery of suffering , and with it the peculiar quality of the tragic vision , would be lost . This explanation can take one of two forms ...
Side 191
... suffering cannot be explained . If God is the ultimate ground of all that exists , and if God is wholly good , suffering just cannot exist . ( b ) It is possible to maintain that all suffer- ing is unreal , but only in the ultimate ...
... suffering cannot be explained . If God is the ultimate ground of all that exists , and if God is wholly good , suffering just cannot exist . ( b ) It is possible to maintain that all suffer- ing is unreal , but only in the ultimate ...
Side 197
... suffering , death , and a general convulsion in the order . The tragic fact does not leave us rebellious or desperate because we realise that suffering and death arise from man's collision , not with a fate or blind power , but with a ...
... suffering , death , and a general convulsion in the order . The tragic fact does not leave us rebellious or desperate because we realise that suffering and death arise from man's collision , not with a fate or blind power , but with a ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing