Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 77
... statements made on the same lines . Inner meaning or figurative language is present there more as rhetoric - as extrinsic ornament meant for decorating the theme . But the statements that are made directly are statements of the poet's ...
... statements made on the same lines . Inner meaning or figurative language is present there more as rhetoric - as extrinsic ornament meant for decorating the theme . But the statements that are made directly are statements of the poet's ...
Side 200
... statements lies at the root of the incompatibility thesis . Had the metaphysical or religious statements been only cogni- tive , the thesis would perhaps have been irrefutable . But as seen above , these statements are not cognitive ...
... statements lies at the root of the incompatibility thesis . Had the metaphysical or religious statements been only cogni- tive , the thesis would perhaps have been irrefutable . But as seen above , these statements are not cognitive ...
Side 230
... statements of poetry as pseudo - statements , which I.A. Richards does , is to devalue poetry , even if unin- tentionally , in relation to the statements of science , accepting the latter as providing the norm . The distinction between ...
... statements of poetry as pseudo - statements , which I.A. Richards does , is to devalue poetry , even if unin- tentionally , in relation to the statements of science , accepting the latter as providing the norm . The distinction between ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing