Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 sider |
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Side 95
... situation created by the artist . That situation is also self - complete , for art , as is well known , deals in wholes . A perfect work of art has , indeed , been compared to a monad , for it admits of neither additions nor ...
... situation created by the artist . That situation is also self - complete , for art , as is well known , deals in wholes . A perfect work of art has , indeed , been compared to a monad , for it admits of neither additions nor ...
Side 103
... situation as it actually was ( laukika ) that is represented in it . That would by no means constitute art . It is the situation as it is in the poet's vision , 16 or as it has been transfigured by his sensitive nature and imaginative ...
... situation as it actually was ( laukika ) that is represented in it . That would by no means constitute art . It is the situation as it is in the poet's vision , 16 or as it has been transfigured by his sensitive nature and imaginative ...
Side 106
... situation , owing to the profound trans- formation which it undergoes in the process of poetic treatment , will throw a new light on that experience , and reveal its deeper significance for life as , for instance , in the case of love ...
... situation , owing to the profound trans- formation which it undergoes in the process of poetic treatment , will throw a new light on that experience , and reveal its deeper significance for life as , for instance , in the case of love ...
Indhold
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
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A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing